{"id":15,"date":"2022-06-29T18:52:52","date_gmt":"2022-06-29T18:52:52","guid":{"rendered":"http:\/\/liamhockleyclarinet.com\/?page_id=15"},"modified":"2024-05-16T21:04:31","modified_gmt":"2024-05-16T21:04:31","slug":"media","status":"publish","type":"page","link":"http:\/\/liamhockleyclarinet.com\/?page_id=15","title":{"rendered":"Media"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-extra-large-font-size\" id=\"mediavideo\"><strong>Video<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Wolf Edwards - Um allein zu k\u00e4mpfen (Liam Hockley, bass clarinet)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/oJr86tQdbes?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Wolf Edwards: <em>Um allein zu k\u00e4mpfen<\/em> for bass clarinet and live electronics<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Liam Hockley performs Karlheinz Stockhausen&#039;s &#039;FREIA&#039;\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/JovxoSWvkW4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Karlheinz Stockhausen: <em>FREIA<\/em> f\u00fcr Bassethorn<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Karlheinz Stockhausen: Darkness becomes LIGHT!\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/oNCONxMXx7k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Darkness becomes LIGHT! A curated set of excerpts from Karlheinz Stockhausen&#8217;s <em>LICHT<\/em> cycle, performed by duo 1010.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Portraits- Strangled by Growth with the Emily Carr String Quartet featuring Liam Hockley\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/gyX75OI_hUA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Johannes Brahms: <em>Clarinet Quintet<\/em> in B minor, op. 115 (with the Emily Carr String Quartet)<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ray Evanoff: Follow, for solo basset horn (Liam Hockley, basset horn)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/ex38w5RLF10?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Ray Evanoff: <em>Follow<\/em> for solo basset horn<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"SALT 2017 Concert 2: Narratives by Ray Evanoff\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/XA5vK_oPvkI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Ray Evanoff: <em>Narratives<\/em> for solo E-flat clarinet<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Karlheinz Stockhausen \u2014 SUKAT (1989) f\u00fcr Altfl\u00f6te und Bassetthorn (duo 1010)\" width=\"750\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/GO6IBzr4LSc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Karlheinz Stockhausen: <em>SUKAT<\/em> f\u00fcr Bassethorn und Altfl\u00f6te (with Stephanie Bell, flute)<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Radulescu - Capricorn&#039;s Nostalgic Crickets (Liam Hockley, clarinet)\" width=\"750\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/tr99xrhyBpA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Horatiu Radulescu: <em>Capricorn&#8217;s Nostalgic Crickets<\/em> for seven B-flat clarinets (arr. Liam Hockley)<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Karlheinz Stockhausen \u2013 TIERKREIS (duo 1010)\" width=\"750\" height=\"422\" src=\"https:\/\/www.youtube.com\/embed\/Sqcz4MElNuU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Karlheinz Stockhausen: <em>TIERKREIS<\/em> for flutes and clarinet (arr. Liam Hockley, with Stephanie Bell, flute)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator alignwide has-alpha-channel-opacity is-style-twentytwentyone-separator-thick\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-extra-large-font-size\" id=\"mediaaudio\"><strong>Audio<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"To Overwhelm [Victoria, 22.05.20] by Ray Evanoff\" width=\"750\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F831339721&#038;show_artwork=true&#038;maxheight=1000&#038;maxwidth=750\"><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Ray Evanoff: <em>To Overwhelm [Victoria, 22.05.20]<\/em> for solo B-flat clarinet<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Nina \u0160enk: Srebrno (Silverly) for flute and clarinet by Liam Hockley\" width=\"750\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F834380335&#038;show_artwork=true&#038;maxheight=1000&#038;maxwidth=750\"><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Nina \u0160enk: <em>Srebrno (Silverly)<\/em> for flutes and clarinets (with Stephanie Bell, flute)<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Michelle Lou - Telegrams by Liam Hockley\" width=\"750\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F436537137&#038;show_artwork=true&#038;maxheight=1000&#038;maxwidth=750\"><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Michelle Lou: <em>Telegrams<\/em> for bass clarinet and bluetooth speaker<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Fragment and Paraphrase (on W.A. Mozart&#039;s KV Anh 93) (2021) by Liam Hockley\" width=\"750\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F1083402784&#038;show_artwork=true&#038;maxheight=1000&#038;maxwidth=750\"><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Liam Hockley: <em>Fragment and Paraphrase (on W.A. Mozart&#8217;s Beginn eines Adagio in F, KV Anh. 93)<\/em> for clarinet and two basset horns<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Feedback Study #1 (for Ray) by Liam Hockley\" width=\"750\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F1283135725&#038;show_artwork=true&#038;maxheight=1000&#038;maxwidth=750\"><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Liam Hockley: <em>Feedback Etude #1 (for Ray)<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ray Evanoff - Narratives for solo E-flat clarinet by Liam Hockley\" width=\"750\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F361864652&#038;show_artwork=true&#038;maxheight=1000&#038;maxwidth=750\"><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Ray Evanoff: <em>Narratives<\/em> for solo E-flat clarinet<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator alignwide has-alpha-channel-opacity is-style-twentytwentyone-separator-thick\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-extra-large-font-size\" id=\"mediawriting\"><strong>Writing<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><a href=\"https:\/\/open.library.ubc.ca\/cIRcle\/collections\/ubctheses\/24\/items\/1.0375878\"><br><\/a>&#8220;Basset Horn in the 21st Century&#8221; in <em>The Clarinet<\/em>, Vol. 49, No. 1 (Jan. 2022).<\/p>\n\n\n\n<p><a href=\"https:\/\/open.library.ubc.ca\/cIRcle\/collections\/ubctheses\/24\/items\/1.0375878\">Performing complexity: theorizing performer agency in complexist music\u00a0(DMA Dissertation, January 2019)<\/a><br><a href=\"https:\/\/fociarts.com\/conflicting-messages-performer-agency-in-contemporary-aesthetics\/\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><br><a href=\"https:\/\/fociarts.com\/conflicting-messages-performer-agency-in-contemporary-aesthetics\/\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Conflicting Messages: Performer Agency in Contemporary Aestheitcs&#8221;\u00a0(FOCI Arts, 25 March 2016)<\/a><br><br><a href=\"http:\/\/fociarts.com\/towards-a-redefinition-of-performer-liam-hockley\/\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Towards a Redefinion of Performer&#8221;\u00a0(FOCI Arts, 9 June 2014)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Video Audio Writing &#8220;Basset Horn in the 21st Century&#8221; in The Clarinet, Vol. 49, No. 1 (Jan. 2022). Performing complexity: theorizing performer agency in complexist music\u00a0(DMA Dissertation, January 2019)&#8220;Conflicting Messages: Performer Agency in Contemporary Aestheitcs&#8221;\u00a0(FOCI Arts, 25 March 2016) &#8220;Towards a Redefinion of Performer&#8221;\u00a0(FOCI Arts, 9 June 2014)<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-15","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"http:\/\/liamhockleyclarinet.com\/index.php?rest_route=\/wp\/v2\/pages\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/liamhockleyclarinet.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/liamhockleyclarinet.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/liamhockleyclarinet.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/liamhockleyclarinet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15"}],"version-history":[{"count":7,"href":"http:\/\/liamhockleyclarinet.com\/index.php?rest_route=\/wp\/v2\/pages\/15\/revisions"}],"predecessor-version":[{"id":133,"href":"http:\/\/liamhockleyclarinet.com\/index.php?rest_route=\/wp\/v2\/pages\/15\/revisions\/133"}],"wp:attachment":[{"href":"http:\/\/liamhockleyclarinet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}