Wolf Edwards: Um allein zu kämpfen for bass clarinet and live electronics
Karlheinz Stockhausen: FREIA für Bassethorn
Darkness becomes LIGHT! A curated set of excerpts from Karlheinz Stockhausen’s LICHT cycle, performed by duo 1010.
Johannes Brahms: Clarinet Quintet in B minor, op. 115 (with the Emily Carr String Quartet)
Ray Evanoff: Follow for solo basset horn
Ray Evanoff: Narratives for solo E-flat clarinet
Karlheinz Stockhausen: SUKAT für Bassethorn und Altflöte (with Stephanie Bell, flute)
Horatiu Radulescu: Capricorn’s Nostalgic Crickets for seven B-flat clarinets (arr. Liam Hockley)
Karlheinz Stockhausen: TIERKREIS for flutes and clarinet (arr. Liam Hockley, with Stephanie Bell, flute)


Ray Evanoff: To Overwhelm [Victoria, 22.05.20] for solo B-flat clarinet
Nina Šenk: Srebrno (Silverly) for flutes and clarinets (with Stephanie Bell, flute)
Michelle Lou: Telegrams for bass clarinet and bluetooth speaker
Liam Hockley: Fragment and Paraphrase (on W.A. Mozart’s Beginn eines Adagio in F, KV Anh. 93) for clarinet and two basset horns
Liam Hockley: Feedback Etude #1 (for Ray)
Ray Evanoff: Narratives for solo E-flat clarinet


“Basset Horn in the 21st Century” in The Clarinet, Vol. 49, No. 1 (Jan. 2022).

Performing complexity: theorizing performer agency in complexist music (DMA Dissertation, January 2019)

“Conflicting Messages: Performer Agency in Contemporary Aestheitcs” (FOCI Arts, 25 March 2016)

“Towards a Redefinion of Performer” (FOCI Arts, 9 June 2014)